'This prince sees that you lack manners as well,' Prince Duan said with a light scoff. 'It's merely the pot calling the kettle black.' SHEN QINGRUI CHOKED BACK HER WORDS. I am not okay. This is the best line in the entire passage. Shen Qingrui has been putting on this whole performance of being the refined, proper, martial-arts-trained noble lady, and Zhou Jinyan just dismantles her entire persona in one sentence. And he does it while being physically frail — coughing, pale, needing to sit down — which makes it even more devastating. The man doesn't even need to raise his voice. But what I love most is how each character's voice is completely distinct. Cen Liangxuan speaks in formal, authoritative tones — 'Shen Yiren, what are you doing here?' 'This Young Master and Qing Rui have already performed the wedding ceremony. Give up.' He sounds like every generic noble heir in every novel ever. The Duchess is all sneering and status-obsessed. But Shen Yiren? She's just... direct. 'You give up. I don't like you.' 'Are the whole family thieves?' She doesn't perform politeness at all, and that's what makes her voice so refreshing. Xiao Ba's 'Exactly!' standing with hands on hips — I can literally see this character. And Cang Ming's '??' reaction to 'like mother, like daughter' — the author is using narrative voice to give us internal comedy. The formatting even preserves his confusion. This is how dialogue should work.
So the red beans. Of course the author would give us this detail. Tang Mei has to pick a bowl of red beans and kneel while copying each volume of Buddhist scripture. Red beans—in Chinese literary tradition, they're associated with longing, with tears, with the sorrow of separation. Here they're literally part of a torture ritual disguised as piety. And the kneeling. Yang Taohua revealing those bruised knees is one of the most powerful images I've encountered in this genre. Knees are supposed to be for prayer, for reverence, for kneeling before ancestors or deities. Instead, they've been weaponized into instruments of punishment. The mother-in-law has co-opted religious practice—scripture copying, atonement, kneeling—and turned it into a control mechanism. 'She called it atonement.' Atonement for what? For existing as a daughter-in-law who doesn't quite fit? For not being born into their family? The whole concept of 'filial piety' here is inverted—it's not the young honoring the old, it's the old consuming the young. And Tang Mei's internal justification is the most tragic part: she compares herself to friends who 'had to work in the fields and do all sorts of rough labor after marriage' and decides her suffering is privilege. That's the ideology working exactly as intended. The system doesn't need chains when the prisoner believes she's lucky to be caged.
Let me just say this: the pacing in these chapters is absolutely immaculate. After the tension of discovering the basement and disarming those poison needle traps, the story doesn't keep ratcheting up. It... exhales. Su Mi finds the wounded man, decides to save him, and then the next three hours pass in this almost meditative rhythm. Cut clothes. Disinfect. Surgery. Bandage. Two apples. Check pulse. Write a note. Take photos. Sleep. The apple detail is what sells it for me. 'Apples not only helped fill her stomach but also provided hydration and sugar—one of her favorite fruits. She was also accustomed to eating an apple after every surgery. Today was no exception.' This is such a small thing but it does so much work. It tells us this isn't her first time performing surgery. It gives us a character habit. It slows the narrative down to a human pace. Two hours pass. Three hours pass. She's just sitting there eating apples while a man heals. And then—BAM—the note. The photos. The Jinyiwei daydream. The pacing snaps back into something more playful and forward-moving right as Lu Jun'an opens his eyes. The chapter structure mirrors the medical procedure itself: intense focus, a period of waiting and recovery, then awakening. It's almost symmetrical. The transition from Su Mi's POV to Lu Jun'an's POV at the end is also perfectly timed. We've just finished three hours of quiet medical drama and suddenly we're inside the head of a confused, flustered man waking up in an unfamiliar room. The shift is jarring in the best way—it's the narrative equivalent of someone bursting through a door you didn't know was closed.
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Spectacular writing style, vivid imagination come to life. Enjoyed reading this story. Hope the author keeps at it and waiting to see more chapters released. Story line is great! Kudos to you author!
This isn’t just a novel—it’s a life lesson. Success isn’t easy, and Ben’s journey proves it.
Thank you to all our readers that have taken us to 6000 views and more! We knew before jumping onto webnovel that our story went against the grain. That our theme is not popular or trending. But we didnt set out to create something so calculated nor did we want to write something we had no interest in. We love classic monsters and wanted add to their lores and put more stories of them out there as another option for fans of Frankenstein, the mummy, Dracula and the wolfman; to have. We mapped out 12 books over the course of three years. Please, dont be be shy. Leave us a comment. Tell us if you liked it, tell us your favorite parts. The Dread Lecagies, book 2: Son of the Dragon begins Feb.17th.
please update it ??I am waiting kindly please
It’s amazing it captures everything and it’s all I want to read about. I enjoy reading this and I have shared it to my friends and family it’s so amazing.
I like the overall goal of the novel, it's got the classic anime I just want money and women hero which is pretty interesting and neat can't wait for more ?
This is one of the best I read these days. Never imagined that mc will be such a twisted and calculated person after reading its beginning chapters
A Banger book with top notch writing quality