[It can take hundreds of years to become an arch mage, and once you reach that rank, thousands of people will want you to help them with their problems.]
Good read, i like how fast the author updates. Excited to see how AIs and humans scheme. The writing quality is good, knowing that the author is not a native speaker of english. As for story development, i find it quite fast. some of the unnecessary details are emphasized but not the bigger picture of the story. I look forward for the character development, I’ll write another review after a hundred chapter or so. Overall, this is a good story. Good job author!
Sinbad groaned loudly as his cock was being strangled. He didn't stop and continued to ravage everything down to her deepest depths.
??? : No why would i be dragons are soo cool they can breath fire and fly...
So... of in 16 years old plus another 50 that makes me. 66 years old. how is that possible?
" phir dad kuch der khamosh rahe aur kha''
The pacing in this batch is genuinely masterful and I need to explain why. Chapter 8 starts with Su Meier building her bow — that's an intimate, quiet scene. Then Chapter 9 opens with her at the threshing ground, and the author immediately drops this number on us: fourteen thousand square meters, about the size of nineteen basketball courts, and only a handful of workers. This is a pacing trick — the author gives you a concrete image of the scale of the work so you immediately understand the stakes. She's going to lose. Or she's going to have to cheat. Both are interesting. Then we get the morning labor, the interactions with the other workers, Fang Zhaodi's passive aggression, and just when you think the chapter is going to be all about her struggling with rice sacks — she leaves at noon. She abandons her post. And the chapter pivots hard into a hunting sequence. This is the kind of pacing choice that keeps you reading because the author refuses to let you get comfortable. You expect one thing and she gives you another. The hunting scene itself is written with a different rhythm — short, sharp sentences. 'She aimed. Waited. Then released her fingers decisively.' It's almost cinematic. Then she returns with three rabbits and runs into Song Cili and Shen Jianyang, and the chapter ends on a note of social tension rather than physical action. The transition from Chapter 9 to Chapter 10 is also worth noting. Chapter 10 is almost entirely dialogue — the trade negotiation, Shen Jianyang's desperation, Song Cili's quiet assessment. After the physical intensity of the hunting scene, this conversational chapter gives you room to breathe while still building tension. But here's what I think is the real structural genius: the author is pacing Su Meier's reveal. We know she's building a bow. We know she's hunting. But we don't know what she's hunting FOR. Every scene in this batch is moving toward that revelation, and the author is doling out information like she's rationing food. The threshing ground scenes establish her public persona (clumsy, new, trying hard). The hunting scenes establish her private capability. The trade scene with Song Cili is where those two worlds are about to collide. I'm genuinely invested in what happens next.
"Hey the princess is talking to you, show your respect" called a brave soldier who happened to be one of those so called flower protectors.
-Dwarves- 'No'
Then i proceed to the next shelves which contain some snacks. I only grab like 3 chips and handful of Protein bar which i saw behind of the shelves.
MC can travel across multiverse
he had realized that the only way to cross that limit for him was to be at risk of death, to take full advantage of his body depended on it.