Summary

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In her past life, Lin Kexin trusted her best friend Liu Xuewei and married the man who had assaulted her. She poured her heart and soul into supporting their household, only to be betrayed by both her husband and her so-called friend.

Reborn, Lin Kexin vows to never hold back when dealing with scumbags. But one man—a steadfast, iron-willed soldier—looks at her with pity and says,
“Lin Kexin, I’ve always kept myself pure, never kissed or touched by any woman. To prevent my future wife from having any regrets, you must take responsibility for me!”

“Kexin, returning to the city is hopeless. You might as well marry a dependable man here in the village… it will ease my mind when I go back to the city.”

As Lin Kexin gazes at the face of her so-called best friend, Liu Xuewei, she realizes that revenge—and perhaps love—awaits her in this second chance at life.

Novel Items

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Treasure
A half-broken jade pendant that was found by Wang Cuihua when she adopted baby Lin Kexin. It was hung around Lin Kexin's neck for over a decade. Lin Tianci stole it as a gift for a girl, was rejected, and threw it at Lin Kexin's face, breaking it into two pieces. When Lin Kexin's blood touched the jagged edge, it activated a Spatial Spirit Spring mystical space.
Arcane Treasure
A mystical spatial ability activated by blood contact with the broken jade pendant. Contains a ten-thousand-acre fertile black soil land and a pure spirit spring lake. Lin Kexin can enter and exit at will, move objects into the space by touch, retrieve them by thought, and accelerate crop growth. She also willed a ten-by-ten-meter bathing pool into existence using the spirit spring water.
Item
High-quality interstellar wheat seeds purchased by Lu Qizhou. These seeds can yield up to 2,000 kilograms per mu, far exceeding normal yields. Lu Qizhou bought half a pound to help the beastmen achieve agricultural prosperity.
Materials
Seeds purchased from the supply store for twenty yuan. Planted in the Spatial Spirit Spring and grew rapidly alongside the wheat.
Materials
A handful of moldy soybeans found in the storage room. Lin Kexin planted them in the space and they took root and formed pods within a day.
Item
Seeds given by Zhao Xiuhua to An Ruoyan for planting in her garden behind the house. An Ruoyan planned to return them when she buys her own next time.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c27
2026-08-11shanghai fantasy c26
2026-08-11shanghai fantasy c25
2026-08-11shanghai fantasy c24
2026-08-11shanghai fantasy c23
2026-08-11shanghai fantasy c22
2026-08-11shanghai fantasy c21
2026-08-11shanghai fantasy c20
2026-08-11shanghai fantasy c19
2026-08-11shanghai fantasy c18
2026-08-11shanghai fantasy c17
2026-08-11shanghai fantasy c16

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Popular reviews

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Let me just say this: the pacing in these chapters is absolutely vicious and I cannot stop thinking about it. The author starts with Old Lady Jiang's slap—BAM, right in the face—and then just keeps stacking pressure on Liu Xuewei until there's literally nowhere left to go. First the physical violence, then the public humiliation, then Jiang Weijie's whispered promise about the quota, and finally her resigned acceptance. Each beat comes faster than the last, like the author is tightening a noose. And the crowd's reaction? Perfectly timed. They're not just background noise—they're the hammer that drives her into submission. The transition from the explosive confrontation to the quiet aftermath with Yunying and Lin Kexin is also masterful. It's like exhaling after holding your breath for ten pages. Lin Kexin's calm analysis of what really happened gives you this cold clarity after all the chaos. Then the next chapter opens with Jiang Weijie already setting the wedding date. No pause, no mercy. The story doesn't let you catch your breath and honestly? That's what makes it so addictive. You want to keep reading because you need to know what happens next, even though you already know Liu Xuewei is trapped. The author knows it too. That's why the pacing feels like a chase scene that never ends.
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The pacing in these chapters is absolutely ruthless and I mean that as a compliment. Chapter 24 starts with a casual encounter — two girls talking about a watch, seemingly light conversation. But within a few paragraphs, the tension is already there. Lin Kexin's voice growing louder on purpose, the educated youths gathering around, Liu Xuewei's face going pale — it escalates so naturally you don't even notice the speed until you're already hooked. Then Chapter 25 shifts gears completely. We go from public confrontation to domestic investigation. Old Madam Jiang counting her money three times — that repetition is genius pacing. It slows us down at exactly the right moment, making us feel her growing dread. And then BOOM, she's bellowing in the courtyard. The chapter ends with Weijie being dragged back and the name "Liu Xuewei" spilling out. Chapter 26 picks up immediately with Lin Kexin dragging Yunying to watch the show. No breathing room. The author doesn't let us settle. Every scene ends on a note that demands the next one. The only moment of real deceleration is Lin Kexin and Yunying's quiet conversation where they predict Liu Xuewei's move — and even that feels like tension being coiled tighter, not released. This is how you keep someone up past midnight.
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Okay, I need to talk about Liu Xuewei because this woman is a mess and I love her for it. She walked into this situation thinking she was the one pulling strings, right? She thought Jiang Weijie was some kind of golden ticket to get back to the city. But the second she got cornered, the whole facade cracked. The moment she whispered to him—"what about that quota you promised me? Does it still stand?"—that was the exact second she sold herself. Not just to him, but to the idea that she could still negotiate her way out of this. And Jiang Weijie? Oh man. The guy is a snake, absolutely venomous. He didn't just expose her, he weaponized her own desperation against her. He knew exactly which buttons to press in front of that crowd. The way he started describing intimate details about her body—it wasn't just revenge, it was calculated destruction. He was making sure every single person in that village would never look at her the same way again. And the craziest part? She still agreed to marry him. She still said yes. Because the alternative was worse. That's not love, that's survival. What does that say about the kind of person she is, or the kind of person she had to become?
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The dialogue between Lin Kexin and Liu Xuewei is absolutely vicious and I cannot stop thinking about it. Let me just quote this exchange because it's perfect: "There's nothing to reconcile. There was never anything between us in the first place." That's not just a rejection—that's a complete erasure. She's not even giving Liu Xuewei the dignity of having had a relationship worth repairing. And then the sickle swing. "Just stay away from me. Unless you want my sickle to slip and cut your leg." She literally threatens her with a farming tool while pretending it's a casual warning. The subtext is screaming. But what's interesting is how the author gives each character a distinctly different voice. Liu Xuewei's dialogue is all hedging and fake politeness—"Kexin, you and I are the only relatives here. Life away from home isn't easy—why make things so tense between us?" She wraps every manipulation in concern. Meanwhile Lin Kexin's dialogue is blunt, flat, almost bored. "I have no relation to you, so I don't need your help." Short sentences. No embellishment. Even the ox-cart driver has a distinct voice—nagging, warm, slightly superstitious, calling her "girl" in a way that feels genuinely affectionate. And Brother Long's dialogue is all business with these tiny cracks of respect showing through: "Miss Lin, impressive!" The way Yan Dao switches from casual to respectful after his boss's warning—"we thought you weren't coming! Heh..."—that little laugh tells you everything about power dynamics.
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The pacing in these first seven chapters is really well-calibrated. The author knows exactly when to accelerate and when to let a scene breathe. Chapter 1 opens at maximum intensity—abuse, confusion, realization, confirmation—and then immediately drops us into the emotional aftermath with the alleyway breakdown. That's a bold structural choice. Most rebirth stories would skip straight to the revenge planning, but this one lets us sit with the pain first. And it works. Chapter 2 is where the pacing shifts into exploration mode. We get the jade pendant backstory, the spatial ability discovery, and the first planting. It's a lot of information, but the author breaks it up with action—she tests the space, she goes to the store, she plants seeds. There's no sitting around explaining mechanics; she learns by doing, and we learn along with her. The scene where she watches the crops sprout and grow before her eyes and thinks 'it was so miraculous that even her rebirth paled in comparison'—that's a perfect pacing beat. After all the tension and trauma, a moment of pure wonder. Chapter 3 returns to interpersonal conflict with the subsidy negotiation, and the pacing here is tight. Every line of dialogue advances both the plot and character. Lin Jianguo's cold calculation, Wang Cuihua's explosive anger, Lin Kexin's calculated vulnerability—it all moves quickly but never feels rushed. The chapter endings are also well-placed. Chapter 3 ends with her buying every vegetable seed she can find, which creates anticipation for what she'll do with them. Chapter 4 cuts off mid-scene with Wang Cuihua shopping, which is a natural cliffhanger. The author trusts the reader to stay engaged without constant dramatic punctuation.
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Okay so let me just say—this part where the Lin family's house gets completely emptied is either the most satisfying revenge in the book or the most terrifying supernatural event, and I can't decide which. On one hand, Lin Kexin is clearly behind it. She's smug about it. She even says "picturing the Lin family's misery made Lin Kexin work even faster." But on the other hand, the way the narrative plays it—with Lin Jianguo stumbling into an empty house, the neighbors whispering about ghosts, the police baffled—it reads like a haunting. The retired teacher literally suggests reporting to the Public Security Bureau, and the officers themselves think about spirits before shaking it off. That ambiguity is genius. Is this justice or is it something darker? And then there's the black market subplot that just drops in like a bomb. One chapter she's cutting pig grass, the next she's moving ten thousand jin of wheat through underground channels with a man called Brother Long who clearly runs a serious operation. The plot keeps pivoting and I'm just sitting here like—wait, what? How did we get from village labor to organized crime so fast? But it works. It actually works.
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