Mr. Lu, Your Wife Has Run Away with the Money!
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Summary

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(A sweet-talking, stunning model × A disabled, obsessive painter)

(First: Love-hate battles. Mid: Chasing the wife through hell. Late: Spoiling her rotten.)

When two scheming, ruthless individuals play their games, who will come out on top?

Shen Simo casually did a good deed—little did she know it would be the start of her downfall. She wanted money. He wanted love. On the surface, they seemed like a match made in heaven, yet both were luring the other into the quicksand called love. But Lu HuaiChuan’s love was suffocating, crushing Shen Simo under its weight. His endless tests left her disillusioned. It was time to take the money and leave.

The night Shen Simo vanished from his world, Lu HuaiChuan leisurely pushed open the storage room door: “Simo, did you really think you could escape me?”

“Lu HuaiChuan, you didn’t actually think I loved you, did you? Who in their right mind would turn down easy money? A few sweet words, and you’d give me everything—how is that any different from free riches falling from the sky? I could never love you. Never. Not in a million years!”

“It’s fine. My love is enough. I love that you never pitied me for my flaws. I love how helpless you looked whenever my tests made you waver. I love even the pain I caused you. As long as you stay by my side, I’ll give you everything you desire. Even the stars in the sky—I’d pluck them down and hand them to you.”

Novel Items

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Accessory
A luxury watch worn by Lu Huaichuan, valued at approximately ¥200,000. It is noticed by Shen Simo at the art exhibition and contributes to her softening her resolve around him.
Item
Used by Guan Ruirui to travel from the hospital to the villa. One of its wheels inexplicably fell off during their arrival, adding to the misfortune they experienced.
Item
A ticket costing 388 yuan that Shen Simo purchased for a charity art exhibition. She shows it to Lu Huaichuan as a way to connect with him over shared interest in art.
Artwork
A 90x120 provocative portrait painted by Lu Huaichuan, depicting Duan Yu reclining on a sofa in a white silk cloth with a burnt-out cigarette. The painting transforms a vulgar pose into an elegant artistic piece with masterful brushwork.
Item
A camera used by Lu Huaichuan to photograph Sisi at the art exhibition. He apologizes for potentially disturbing Shen Simo and offers to delete the photo if she minds.
Item
A white rose that Lu Huaichuan skillfully folds from a napkin at the bar, then coldly crumples into a ball and tosses into the trash bin, showcasing his unique and somewhat unsettling aura.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c60
2026-08-11shanghai fantasy c59
2026-08-11shanghai fantasy c58
2026-08-11shanghai fantasy c57
2026-08-11shanghai fantasy c56
2026-08-11shanghai fantasy c55
2026-08-11shanghai fantasy c54
2026-08-11shanghai fantasy c53
2026-08-11shanghai fantasy c52
2026-08-11shanghai fantasy c51
2026-08-11shanghai fantasy c50
2026-08-11shanghai fantasy c49

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Popular reviews

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Let's talk about stakes, because this text is quietly building some serious conflict. On the surface, Shen Simo is just a girl who moved to the city, works hard, saves money, and is trying not to get scammed by a wealthy painter. 'Better safe than sorry' is basically her life motto. But the real stakes are emotional, and they're escalating fast. She's sharing her most vulnerable memories with a man who watches her like he's trying to memorize every detail. She's letting him touch her face, close her eyes, lift her chin — and then her brother-figure's best friend walks in. Now there are THREE people with complicated feelings in one room, and the author makes you feel every second of that tension. Lu HuaiChuan's 'Arctic-level' glare at his own brother is not nothing. And what about Shen Simo's past? That online relationship where she was essentially paid to disappear — is that wound fully healed? She laughs about it now, but the fact that she pined for a month afterward suggests otherwise. The stakes here aren't about life or death; they're about whether these characters can be honest with each other before someone gets hurt. And the suspense is maintained because the author keeps interrupting the intimate moments — not to deny the reader satisfaction, but to make them ache for it. Every time something almost happens, it doesn't. And that's what keeps you reading.
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"I wanted to keep her by his side, hidden away where no one else could find her." That line hit me like a truck. Like, what? This man who can't even let someone touch his legs is suddenly thinking about locking Shen Simo away from the world? The contradiction is so beautifully written that I almost forgot to be concerned about it—which is exactly what the author wants, I think. Let me talk about Lu Huaichuan for a second because this character is a minefield. On one hand, he's clearly drawn to Shen Simo in ways he doesn't understand himself. He paints her. He lets her wear his reference materials. He holds her and breathes in her hair. But on the other hand, the moment she suggests anything intimate, he retreats behind clinical explanations about how to remove the body chain. The man is fighting a war inside his own head and we're just watching him lose. And Shen Simo—oh my god, Shen Simo. She's so layered. She puts on the body chain almost as a test, like she's trying to figure out if he's actually interested. When she asks Li Xue how to seduce a man, she's being genuinely vulnerable, not the confident model persona she shows the world. But then she snaps at Lu Huaichuan the next morning because her routine got disrupted, and suddenly she's the cold, sharp-tongued version again. Who is she really? Their dynamic reminds me of this quote from the text: "Slowly peeling away her feigned softness to uncover her most wicked nature—that was the twisted pleasure derived from Lu Huaichuan's possessive desires." That's not romance. That's obsession. And the fact that the author writes it so matter-of-factly makes it even more unsettling.
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'The Shen Simo depicted in Lu HuaiChuan's writings was vastly different from her real self. In his illustrations, her brows were furrowed with a melancholic expression, like a blooming flower on the verge of withering.' I need to just sit with that sentence for a moment because it hit me so hard. Here's this guy who can't physically stand, who's been relegated to a wheelchair by circumstances, and yet he sees her—really sees her—in a way that no one else in this story seems to. He drew her leaning against a doorframe, watching him with that girl, and he captured something she doesn't even show to her camera. That's intimate in a way that has nothing to do with romance and everything to do with being truly perceived. And then he says 'see you tonight' and she's internally panicking because she thinks he knows about her secret streaming identity, but what if—just what if—he already knows something deeper about her that she hasn't even admitted to herself? The tension between them isn't just romantic; it's this whole layer of unspoken recognition. She's bringing him grilled cold noodles from a street vendor because the owner is from her hometown and promised it tastes like home. That detail destroyed me. She's surviving in Shanghai, barely scraping by, sending money home, working twelve-hour shoots, and the most tender thing she can offer this man is street food from her childhood. And he receives it like it's something precious. I'm not okay with how much I care about this.
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I am so obsessed with how this author handles Lu HuaiChuan's physicality. On one hand, he's in a wheelchair and Shen Simo initially sees him as fragile — 'no sense of propriety' is how she frames it when he lets her into his bedroom while half-dressed. But then the narrative flips and we get this entire passage about his deltoids, his eight-pack, his V-lines. 'A physique like this was rare even among male models.' The author is doing something really clever here: subverting the expectation that a disabled man is somehow less desirable or less powerful. And it's not just physical — there's the moment where he tries to stand up and fails, falling back into his wheelchair with a thud. He's embarrassed, he pretends nothing happened, and Shen Simo covers her mouth and giggles. This is such a human, imperfect moment. It makes him feel real instead of like a romance novel fantasy figure who's either tragically broken or mysteriously healed. Their dynamic is built on these tiny exchanges — she steals glances at his body, he teases her about staring, they trade secrets like it's a currency. And then there's Lu HuaiLin, who can't even look at Shen Simo directly because he's flustered. Three people, one space, and the tension is so thick you could paint it. I keep thinking about that line: 'Under his brother's glare, Lu HuaiLin fidgeted restlessly.' The brother knows. He always knows. That's the kind of detail that makes me trust this author to handle relationships with nuance.
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Let me just say this upfront: the pacing in these chapters is a masterclass in controlled escalation. The author knows exactly when to hit you with a punch and when to let you breathe. Chapter 21 opens with Shen Simo fuming over a gift she can't figure out how to give, then immediately pivots to the shopping mall encounter with President Wang. That's efficient world-building—establishing her transactional relationships while we see her calculating, performing, surviving. Then BAM, she bumps into Lu HuaiChuan with another woman pushing his wheelchair. The timing is ruthless. She's already upset, and then she sees HIM looking right through her. The emotional whiplash is intentional and effective. The chapter then does something clever: it lets us breathe with the karaoke suggestion, the live-streaming routine, the mundane robot-mode Shen Simo. We think the tension has deflated, right? Then the WeChat Moment drops like a bomb. The pacing here is like a heartbeat monitor—steady, steady, STEADY, then sudden spike. The transition to Chapter 22 is where I have a minor complaint. The picnic setup takes a beat too long with Mimi doing her little transport plane routine. Adorable? Yes. Necessary? Debatable. But then the egg tart scene arrives and suddenly the pacing snaps back into perfect rhythm. The dialogue slows down, the physical descriptions linger, and we're right there on that checkered blanket. The chapter ends on this gorgeous image—him sketching her while she sleeps, trapped between madness and euphoria in his art. The structural choice to end on creation rather than resolution is brilliant. It makes you want to turn the page immediately.
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Okay, I need to talk about this one scene because it genuinely made me laugh out loud. Shen Simo tells Lu HuaiChuan about her first love — this online dating guy who showed up, tossed her a bank card with two million, and said 'thank you for your company, I'm getting married, don't bother me anymore.' And Lu HuaiChuan's immediate reaction? He bursts out laughing and says 'That wasn't a breakup fee — that was a salary.' And honestly? He's not wrong. This is the kind of plot detail that makes a story feel lived-in. The author didn't just give us a generic romance backstory; they gave us something weird and specific and darkly funny. It tells us everything about Shen Simo — she's naive enough to have fallen for an online relationship, but smart enough to walk away with money in her pocket. And it tells us about Lu HuaiChuan too — he's the kind of guy who can see through social scripts and call bullshit immediately. The way this scene also functions as a setup for the romantic tension later is brilliant. After she shares something vulnerable, he gets this 'dangerous glint' in his eye. The plot is quietly building something here — she's opening up, he's watching, and the reader is sitting there going 'oh no oh yes.' Then Lu HuaiLin walks in at the worst possible moment. Classic comedic timing that also raises the stakes because now there's a third person who clearly has feelings too. The plot doesn't stop — it just gets more complicated, which is exactly what good romance plotting should do.
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