Summary

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Jiang Qingmi transmigrates into a novel and becomes the male lead’s ex-girlfriend, the woman who once accepted two million yuan from his wealthy parents as breakup compensation before disappearing.

In the original story, she later discovered she was pregnant and chose to raise the child alone. Unfortunately, raising a child was far more expensive than she expected, and the two million yuan quickly disappeared.

Five years later, the male lead finally returned. After giving a large sum of child support, he fulfilled his family’s expectations and became engaged to a wealthy heiress.

But when Jiang Qingmi arrives in this body, the situation is far worse than in the original timeline. The two million yuan has already been spent, the child is only two years old, and she has barely three thousand yuan left. Malnourished and exhausted, she realizes she cannot afford to struggle for three more years.

Since the male lead will eventually pay child support anyway, why not collect it early?

With that plan in mind, Jiang Qingmi takes her child to find the child’s father.

The good news is that she finds him.

The bad news is that the once powerful CEO has lost his memory after a head injury and is now working at a construction site carrying cement to pay for his own medical bills.

Poor, injured, and still responsible, the amnesiac man promises that as long as he has food, the mother and child will never go hungry. He even gives Jiang Qingmi the only three thousand yuan he has.

Left with no better option, Jiang Qingmi decides to wait patiently until he recovers his memory so she can receive proper child support and leave quietly.

But things do not go as planned.

When the male lead finally regains his memory, he also remembers how his ex-girlfriend once abandoned him.

Before Jiang Qingmi can escape, he takes both her and their child back to his luxurious mansion.

Now facing the man she once planned to leave behind again, Jiang Qingmi finds herself trapped in an unexpected situation.

“Wife, stay by my side, alright?”

“Can you let go of me first?”

“No.” He smiles.

Novel Items

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Document
Qing Yanshen's identification card that confirmed his identity when he woke up at the foot of a mountain. The name on it is Qing Yanshen. Jiang Qingmi only caught a glimpse and did not notice the full name.
Document
A paternity test that Wei Ying carried in her bag, which proved Shi Jianchuan was Shi Qi's biological son. This document saved Shi Jianchuan's life when Shi Qi was about to beat him to death at the abandoned warehouse.
Item
Held by Jiang Tuantuan throughout the chapter. The baby perks up at the mention of food while holding it.
Props
A new toy car that Xiao Xigua wished for. Wang Xin and Zhang Na Na promised to buy him one after filming.
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Two toys that were in Lei Zhen's bag but he hadn't prepared specifically for his own sons since he didn't know he had two sons. He planned to buy something for them the next day.
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Qing Yanshen went to buy these for Jiang Qingmi after she ate until she was stuffed and could barely walk. He claimed he was going to buy them but actually left the room upset.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c13
2026-08-11shanghai fantasy c12
2026-08-11shanghai fantasy c11
2026-08-11shanghai fantasy c10
2026-08-11shanghai fantasy c9
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Okay so this dream sequence had me absolutely shook. Qing Yanshen falls into that darkness again—the same falling motif from earlier chapters—and this time it's not just a nightmare, it's a MEMORY. The author is playing with this really clever structure where his lost memories are bleeding through in fragments. And what's the first one he recovers? A moment with Jiang Qingmi from their youth, where she's already showing that fierce, protective energy. She's basically telling him to come with her to Beicheng, and he grabs her clothes the exact same way he's grabbing at her now in the present. That parallel hit me like a truck. Then the plot twist within the twist: Jiang Qingmi ALSO lost her memory. She's not some gold-digger taking advantage of his condition—she's just as confused and adrift. This completely reframes their entire dynamic. And then cutting to the Qing family estate with Qing Minghong and Qing Chen... the father mentions he never released Yanshen's photos to protect him, but Qing Chen is already acting suspicious. Two months missing, surgery coming up, and this half-brother who suddenly started working seriously at the company? The plot threads are tightening like a noose. I love how the underground market scene with Li Lanyan feels almost mundane compared to the high-stakes family drama, but it's actually setting up something bigger—Qingmi making connections, trying to survive, while the real danger is closing in from the other direction.
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I have to say, the worldbuilding in these chapters is quietly phenomenal and I don't think it gets enough credit. This isn't some glamorous fantasy city or a polished modern metropolis — it's Beicheng, and it feels lived in. Li Lanyan's rental with its plain cement floor that's kept spotlessly clean, the two bedrooms and living room, the smell of stir-fried cauliflower and braised fish filling the air. You can literally smell that meal. I'm not being dramatic. The underground mall scene is another highlight. The 50-yuan stall fee, the QR code for WeChat payments, the price sign handwritten beside rows of tiny wool shoes — this is a world where the economy is tangible and small. Jiang Qingmi calculating in real time: thirty pairs at 80 yuan each equals 2,400 yuan a week. That's not plot convenience, that's a woman doing actual math to survive. The detail about winter being the profitable season and summer being dead for yarn products? That's the kind of specific, practical worldbuilding that makes fiction feel like it could be your neighbor's life. And the temperature dropping in October, the night wind carrying a slight chill on the way home — these sensory details aren't decoration, they're the texture of the story. Beicheng has weather. It has seasons that affect commerce and mood. The rain on the day of the stall, the crowd thinning by afternoon, buying groceries on the way back — it's all so grounded. What strikes me most is how the settings mirror the characters' emotional states. Li Lanyan's modest but warm home reflects her practical optimism. The underground mall's bustling energy mirrors Jiang Qingmi's first taste of independence. And their tiny apartment, with Qing Yanshen silently mopping and wiping tables, transforms from a bare space into something that almost looks like home. The world isn't just a backdrop here — it's an active participant in the story.
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Let me just talk about the atmosphere in these chapters because the author really knows how to paint a scene without trying too hard. The emergency room with its bright lights making people dizzy, the steady beeping of machines, the smell of disinfectant—that's the first layer. Cold, clinical, terrifying. But then you shift to the hospital room where Qing Yanshen is sitting crookedly on a folding chair, elbow on his knee, forehead pressed against his palm, dark circles under his eyes. And Tuantuan is curled up on another folding chair, her chubby face swollen around the eyes from crying. This isn't a luxurious setting. It's cramped, uncomfortable, temporary. And yet it becomes the most intimate space in the entire novel. The feeding scene is where the worldbuilding really shines. A thermos of millet porridge, a disposable spoon, the soft dripping of the IV, the quiet sound of swallowing. These tiny sensory details make the scene feel incredibly real. You can smell the porridge. You can hear the room. The author doesn't need grand descriptions—the power is in the specificity. 'He fed her slowly, only scooping another spoonful after confirming she wasn't uncomfortable.' That single detail tells you everything about who this man is becoming.
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Okay so I need to talk about the cooking scene because it genuinely wrecked me. You know those moments in novels where everything just clicks and you're sitting there like 'no way this is this wholesome' — that's exactly what happened when Qing Yanshen came home early and said 'I'll cook. You rest for a while.' Like. He just rolled up his sleeves and took over the kitchen while she knitted and the baby played and it was the most domestic, normal, devastatingly sweet thing I've read in months. And the detail about him watching her eat the whole time, his hand under the table tightening because he was so excited she liked his food — that's not just romance, that's someone who has clearly been starving for something real and is terrified of messing it up. The line 'A long-lost feeling, as if he had experienced it before, resurfaced in his body' gave me chills. He's not just playing house, he's remembering something he thought was gone forever. Jiang Qingmi eating three bowls of rice and praising every single dish — 'Qing Yanshen, you should open a restaurant' — she's just so genuinely happy and it's infectious. And then the next day she pushes herself too hard and gets a fever. Of course she does. That's the pattern with these characters, isn't it? They find warmth and immediately try to earn it by exhausting themselves. She couldn't even get out of bed when the fever hit, and Tuantuan was wiping her forehead with a handkerchief like her mother always does for her. That image just — I can't. The fever scene at the end where she's lying there thinking about how Qing Yanshen already took a day off yesterday and wondering if she's treating him like a workhorse? That's the moment I knew this story understood something real about how people in fragile situations behave. They don't know how to just receive kindness. They feel like they have to pay for it in advance.
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'If they kissed…' Jiang Qingmi froze. Her face instantly heated up and turned red. OH MY GOD. I literally screamed at my phone. This woman is fighting for her life, has an IV in her hand, throat on fire, and her brain goes straight to—his lips? She's been so guarded, so careful with him, building walls brick by brick, and then in the most vulnerable moment of her life, when he's feeding her porridge like some domestic dream, her mind betrays her completely. And the best part? He notices. He notices her blushing and actually remembers what his coworkers told him: 'If a woman usually interacts with you naturally, but suddenly blushes at a certain moment, it means she has started to notice you.' He thinks he's overthinking it. He thinks he's reading too much into it. But he's not wrong. Neither of them is wrong about anything, and that's what makes this CP chemistry absolutely electric. Then Tuantuan wakes up and says 'When mommy is sick, Tuantuan is not happy' with her little brows furrowed looking adorably fierce. The family unit is forming in the most organic way possible and I can't breathe. This isn't forced romance—it's two people who keep choosing each other even when they don't fully understand why, and a child who just wants her mommy to feel better. The emotional core of this story is so strong I could cry.
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The structure of these chapters is honestly masterful and I need to unpack why. We open with Qing Yanshen alone in bed, scrolling through her social media, looking at a photo he took by accident. Solitude. Then the dream sequence drops us into their past—youthful, hopeful, full of possibility. The pacing here is slow and dreamy, almost hypnotic. He's falling through darkness and then suddenly he's on grass with sunlight. The transition is seamless because it's how memory works. Then—BAM—he's awake and immediately acting on that emotional impulse, carrying a table, buying breakfast, showing up at her door. The energy shifts from contemplative to kinetic. He's trying to rebuild something and he's doing it through actions, not words. Then Jiang Qingmi shuts him down. The tension spikes. She reveals her memory loss. The ground shifts beneath both of them. And just when you think the chapter is going to be this intimate domestic drama, the author CUTS to the Qing family mansion. Crystal chandeliers, Italian marble, a father with partially white hair who's planning surgery in two months, and a brother who's clearly hiding something. The pacing here is sharp and clipped—short dialogue, quick exchanges, that final sneer from Qing Chen. It goes from warm and messy to cold and calculated in one paragraph. The underground market scene in between acts as a breather, but even that has tension—Jiang Qingmi trying to figure out how to survive, making connections, and Li Lanyan's casual acceptance of their relationship. The author never lets you settle. Every time you think you understand the story, it pivots.
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