Fields of Fortune: A Rustic Life of Farming in Ancient Times

Genres:

Tags:

Novel Info

Author:
倾碧悠然
Status:Ongoing

Summary

Yun Yin was transported into the Great Zhao dynasty and became a refugee. To avoid being forcibly married off, she needed to secure a household registration as soon as possible and find a way to survive in this unfamiliar era.

Fortunately, she had some cooking skills, so starting a small food stall wasn’t a problem. Seeing the official road nestled between mountains and water, she decided to set up her stall there.

From selling simple noodles to making dishes like pickled fish, Yun Yin relied on local ingredients—living off the land and water—and her business steadily grew.

Many scholars came from afar, drawn by her reputation, just to taste a single dish she made.

Yun Yin bought nearby wasteland and began cultivating straw mushrooms and watermelons, searching for ingredients, and even raising crabs and shrimp. From mushroom sauce to stuffed oranges with crab, salt-and-pepper shrimp, and squirrel-shaped fish, her fresh and flavorful dishes left customers craving more.

As the number of diners increased, Yun Yin built an inn to accommodate traveling merchants.

Watching her inn grow livelier by the day, she sighed, “It’s a pity I still haven’t found so many ingredients. I really want to eat stir-fried pork with chili, tomato scrambled eggs, and hot-and-sour shredded potatoes.”

Passing by the inn, Fu Wang overheard her muttering and asked, “Lady Yun, what are you looking for? You can ask me.”

Yun Yin looked up at the tall and dignified man before her, her eyes lighting up. How could she forget—he ran an escort agency, traveling far and wide, even to the Western Regions and the coast. The seeds that had yet to appear in this time could be entrusted to him to find.

As more unheard-of foods began to appear, Yun Yin’s inn became famous far and wide, and these ingredients gradually spread throughout Great Zhao.

After being discharged from the army due to injury, Fu Wang returned to his hometown. Together with his former comrades, he worked as an escort guard, traveling north and south all year round.

Until one day, while passing along a once desolate official road, he discovered that a tea stall had appeared—and the young woman there was an excellent cook.

As Fu Wang enjoyed the delicious food and watched the cheerful young woman at the stove, his expression softened. Perhaps… it was finally time to settle down.

Novel Items

Bamboo rats

Item

Clumsy-looking but ferocious creatures that are plump like little gas cylinders. They have thick skin, razor-sharp teeth, are extremely quick, and can use an earth-burrowing technique. Lord Qin and his men suffered heavy losses fighting them.

Elm Seeds

Food Ingredient

Wild vegetables gathered by Yun Yin. Lady Luo says they are quite good for porridge. Yun Yin teaches her a cold dish recipe using elm seeds and tofu. Lady Luo offers 100 wen for a basket of elm seeds and spring bamboo shoots.

Spring bamboo shoots

Ingredient

Fresh bamboo shoots with pale brown husks and snow-white tender interiors, used as the primary filling ingredient for Su Qingyan's Spring-themed dumplings. Described as divine freshness in Northern Song winter.

Tofu

Materials

Food made by Yuan Songzhi early in the morning, which Yuan Yuezhi brings to Su Xiaoyin. She invites Su Xiaoyin to come to their house for tofu at noon.

Elm Seed and Tofu Cold Dish

Recipe

A recipe Yun Yin teaches Lady Luo. Made by blanching tofu cubes and chopped elm seeds, then mixing with a sauce of soy sauce, vinegar, minced garlic, and pepper oil (used as a chili substitute since chili peppers do not exist in this era). The dish has a rich yet refreshing taste and would appeal to scholars.

Pepper Oil

Condiment

Used by Yun Yin as a substitute for chili peppers, which do not exist in this era. Added to the sauce for the elm seed and tofu cold dish along with soy sauce, vinegar, and minced garlic.

Latest Release

Date	Group	Release
2026-08-11	shanghai fantasy	c20
2026-08-11	shanghai fantasy	c19
2026-08-11	shanghai fantasy	c18
2026-08-11	shanghai fantasy	c17
2026-08-11	shanghai fantasy	c16
2026-08-11	shanghai fantasy	c15
2026-08-11	shanghai fantasy	c14
2026-08-11	shanghai fantasy	c13
2026-08-11	shanghai fantasy	c12
2026-08-11	shanghai fantasy	c11
2026-08-11	shanghai fantasy	c10
2026-08-11	shanghai fantasy	c9

12 Next Last

Community Reviews

Rating(0 / 5.0, 31votes)

5 stars

0(0%)

4 stars

0(0%)

3 stars

0(0%)

2 stars

0(0%)

1 stars

0(0%)

Popular reviews

MichaelWho Review ★ ★ ★ ★ ★ August 30,2025

This is the line that stuck with me from the entire batch, and not just because it's philosophically interesting—it's literally Yun Yin's strategy. Zhang Lin is terrified. Guards with sabers passed by the night before. Officers tried to arrest them before. He's a refugee with no official registration, sleeping by a roadside, and his first instinct is panic. Yun Yin's response? "The most dangerous place is often the safest." She's basically saying: the official road with constant traffic is safer than hiding somewhere remote where suspicious people won't be noticed. That's not just a clever quote—it's a genuine survival strategy in a world where being unregistered is dangerous. And the stakes are real throughout these chapters. Yun Yin needs household registration to operate legally. It costs two strings of coins, and she's not even sure that's enough. She needs to earn money fast—hence the food stall idea, the mushroom sauce business, the land purchase. Every decision is weighted with the knowledge that one wrong move could send her back to being a displaced person with nothing. The merchant caravan scene is a perfect example of tension done right. Zhang Lin is talking to armed guards, gathering information, playing it cool—but the reader knows these are people who could report him at any moment. The author doesn't dramatize it with internal monologue about fear; instead, Zhang Lin just chats casually while adding firewood. The tension is in what's unsaid. And then there's the business risk. She's investing her limited capital into mushroom sauce jars, glass containers that are valuable in this time period, a food stall on a roadside with uncertain traffic. If it doesn't work, she's even further behind on registration. The stakes keep rising, and the author never lets you forget it.

Reply Like(58) Helpful (20)

Evinie Review ★ ★ ★ ★ ★ March 3,2026

I'm going to be honest with you—this chapter made me feel things I wasn't expecting. Not because of any grand romantic gesture or dramatic confession, but because of the tiny, almost invisible moments between characters. The kind of moments that don't make you swoon but make you sit with your phone for a while afterward. The scene where Yun Yin buys the Eight-Treasure Chicken and brings half to Luo Man—she doesn't do it because she owes Song Shi anything. She does it because she noticed he was disappointed when she said she wouldn't carry it for him. That's the kind of emotional intelligence that doesn't get enough credit in fiction. Yun Yin isn't cold; she's just selective about where she invests her warmth. And then there's Zhang Lin. Oh my god, Zhang Lin. The man hasn't even had a proper introduction and already I'm emotionally invested. Yun Yin telling him to rest during the hottest hours, cooking for him, saying "it feels like I'm exploiting you without paying wages"—this is a woman who carries other people's wellbeing like a second heartbeat. And Zhang Lin's response, "If you hadn't spared me and taken me in, I don't even know if I'd still be alive"—chills. Actual chills. It's not dramatic; it's just true, and that's why it hurts. The emotional core of this section isn't romance. It's the quiet, stubborn kindness of people who've been through hell and are still choosing to be good to each other. Yun Yin and Luo Man bonding over food. Song Shi's hopeless devotion. Zhang Lin's gratitude. It's a tapestry of small emotional threads that somehow weave into something bigger than any single relationship. I keep coming back to that line: "I think my life now is quite good—busy and fulfilling." Luo Man saying that about her life, as a widowed merchant woman in a society that would consider her worthless—that's not resignation. That's triumph.

Reply Like(55) Helpful (15)

Samy_OO Review ★ ★ ★ ★ ★ February 23,2026

Let me just be straight with you: the stakes in these chapters are deceptively high. On the surface, Yun Yin is just trying to sell some bamboo rats and wild vegetables. But the moment you layer in all the constraints—the yamen inspections, the household registration requirement, Zhang Lin potentially running or getting caught, her own refugee status—the picture changes completely. She's one wrong move away from arrest, and the author makes this visceral. Remember when she almost got questioned at the town entrance? The guard glanced at her several times. She relied on her appearance and confidence to bluff her way through, and the text explicitly says this trick would only work once or twice. That's not foreshadowing for later chapters—that's a countdown clock ticking right now. And Zhang Lin? He's tied to a tree with a whipping scar on his back, he's hungry, he's scared, and Yun Yin is the only person who hasn't turned him in. The conflict here is multi-layered: external (the yamen, the inspections, the need for registration) and internal (can she trust him? can she survive without resources?). The scene where she counts her coins and realizes she's nearly broke is one of the most tense moments in these chapters, and it's not because anything dramatic is happening—it's because the reader understands exactly what's at stake. If she can't make money, she can't feed Zhang Lin. If she can't feed Zhang Lin, he might run or get caught. If he gets caught, he might implicate her. It's a chain of consequences that the author lays out with surgical precision, and by the time Yun Yin is walking back to the woods with her empty basket, I was genuinely worried for her. Not because of some big villain or dramatic threat, but because the world she's in is hard and unforgiving and she's still figuring it out.

Reply Like(54) Helpful (27)

PrimordialSeven Review ★ ★ ★ ★ ★ January 20,2026

Okay so let's talk about Yun Yin and Zhang Lin because this dynamic is genuinely fascinating and I need to process it. On the surface, it's a classic employer-employee setup. She hires him, feeds him, gives him work. But the way the author writes it? It's way more layered than that. Yun Yin is calculating—she literally observes him along the way to assess whether he's trustworthy. And what does she find? A guy who's strong but simple, honest with just a little cleverness. She gives him bread without limiting how much he can eat, and his reaction is basically devotion. He looked ready to follow her forever after one meal. And here's the thing that got me—when he asks about temporary registration and a work contract, he's not just being eager. He's genuinely trying to secure his position. After losing his family to famine and being rejected everywhere because he ate too much, this is the first time someone hasn't kicked him to the curb. When she says "Work well for me, and you'll never go hungry," he literally says "Then I'm at ease." That line hit me hard. It's not about money or status for him—it's about not going hungry, about having somewhere to belong. Yun Yin's internal monologue about him is also telling. She thinks about how his family disliked him for eating too much, how he wasn't welcomed anywhere. And instead of being annoyed by his appetite, she calculates that once she starts cooking for herself, it'll be even cheaper to feed him. That's not kindness—that's pragmatism. But then she patches his clothes, and that's when the line blurs, isn't it? She's not trying to be anyone's mother. That's her exact thought. But the act itself says something else.

Reply Like(53) Helpful (22)

CozyCatCake Review ★ ★ ★ ★ ★ May 28,2026

Let me just say this: the mountain scene where Yun Yin goes to gather bamboo shoots and toon leaves is one of the most atmospheric passages I've read in this novel. The text says "the mountains were still and quiet. Even the sunlight couldn't break the calm—only scattered rays filtered through the trees." That line about sunlight not being able to break the calm? That's not just description, that's mood. You can feel the silence. You can feel the cool shade. It's a whole sensory experience in two sentences. And then there's the village scene—"small mud houses, no brick homes"—you immediately understand this is a poor area, and the fact that the bandits are hiding there because it's overlooked? That's worldbuilding that does double duty. The food scenes are also incredibly vivid. The lard rendering process, the cracklings turning golden, the Sichuan peppercorns making her sneeze—these aren't just plot devices, they're immersive sensory details that make you smell and taste everything. The qingtuan making sequence with the jade-green color and the mugwort juice is pure visual poetry. This author understands that worldbuilding isn't about info-dumping history facts, it's about making the reader feel like they could reach out and touch the world. The Cold Food Festival detail—no fires for three days, so she needs to prepare cold foods in advance—is the kind of historical texture that makes everything feel lived-in and authentic.

Reply Like(52) Helpful (24)

Jion47 Review ★ ★ ★ ★ ★ January 27,2025

I need to address the dialogue in this chapter because honestly it's deceptively good. Let's start with Yun Yin's line: 'This dish must be eaten fresh—don't forget to tell Young Master Song.' That's it. That's the whole quote. But the way it's delivered — the dash, the sudden shift from instruction to personal note — it tells you everything about her voice. She's direct, she's precise, but there's warmth underneath the command. She's not just giving an order; she's making sure her message gets through. And the servant's response: 'I understand, thank you, Miss!' — that exclamation mark does so much work. It's eager, respectful, almost reverent. You can hear the tone. This isn't a bored employee going through the motions; this is someone who genuinely values what Yun Yin is doing for them. The narrative voice itself is worth discussing too. The author writes in a style that's descriptive without being overwrought, letting the details speak for themselves. 'Translucent, paper-thin pieces, arranging them like petals on a porcelain plate' — that's not dialogue, but it carries the same weight. The prose has a voice, and it's one that trusts the reader to see what's being described without needing constant commentary. The chapter doesn't have a single line of internal monologue, and yet we know exactly who Yun Yin is. That's skillful writing.

Reply Like(52) Helpful (26)

See all reviews