Summary

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Ye Fan suddenly became the villain’s mother after transmigrating into a novel. She fell into a scheme and gave birth to the villain, the son of ‘Film Emperor’ He Han who had no knowledge of having a child.

Ye Fan was a stand-in for a famous young actress, and the person she had to film an intimate scene with actually happened to be that ‘Film Emperor’.

The original Ye Fan abandoned her son, and when the matter was revealed to the public, she was completely drowned in hate by the netizens. Fortunately, the villain son had yet to grow up, and the ‘Film Emperor’ knew nothing about it.

So all Ye Fan needed to do was raise her child with the mentality of a buddha.

However, on the film debut right after an award ceremony, the matter of Ye Fan’s illegitimate child was exposed, shocking the entire net.

It was something completely unexpected.

He Han, the prince of silver screen, who had always kept a clean and self-conscious image had a press conference that very day.

“There is something I’ve been hiding from everyone. I have a three-year-old child.”

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Rating(3.9 / 5.0, 77votes)
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It initially seemed intriguing, but after giving it a try, I found it difficult to engage with because there was too much filler and an extraneous plot. I'm starting to lose interest in the excess baggage that often accompanies stories set in the entertainment industry. While it's decent reading, it just doesn't resonate with my preferences.
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In the novel, I appreciated the intricate handling of transmigration, where the main characters' fates intertwined in both their past and present lives. Their reconnection in their new world was compelling. However, I found the repetitive descriptions of Ye Fan's daily life with Dudu monotonous, despite their strong bond. It would have been more engaging if the focus wasn't solely on their routine. Ye Sui was an intriguing character, but her cruel revelation of her true identity as a Tang descendant became grating, especially given Tang Jin's innocence. The manipulation of their circumstances felt forced, with Jian Lan's sudden rejection of Tang Jin's relationship seemingly without deeper reasoning.

The author's excessive emphasis on Ye Fan's love for Dudu was another aspect that detracted from the story. His decision to forgo having more children solely due to Dudu's lack of jealousy was unrealistic and overshadowed the plot. Despite these drawbacks, the protagonist's unique perspective and inner thoughts were commendable aspects of the novel.
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I thoroughly disliked it. The romantic aspect felt contrived; the male lead (ML) appeared to manipulate the child for his own gain, whereas the female lead (FL) seemed to have no other option due to her love for her son. Given that the child's existence was a result of a manipulative scheme, this issue was inadequately addressed or given little attention.
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It's an adorable love tale, but it feels somewhat stretched for its length. The female lead is a diligent and brilliant individual, while the male lead is already a top-notch actor. The narrative fails to provide a compelling backstory on how the leading lady and man met and had a child, and one character's redemption arc feels somewhat forced.
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The story is incredibly unoriginal, formulaic, and predicable, particularly when it comes to the romantic aspect. For those familiar with the genre, you could easily anticipate around 80% of the storyline by the second chapter.
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Wow! This novel is super adorable and heartwarming; it's like a dose of pure cuteness that gives me baby fever! I adore the fluffy interactions between the main character (MC) and her little one; while the storyline might be predictable, it stays grounded in reality without all the excessive, over-the-top drama.

Some might find it less exciting, but the MC's practical approach to handling unexpected challenges, like dealing with haters, and her gradual growth into her new role as a mother adds a depth to her character that's truly commendable.

Here's a bit of a spoiler: The MC finds herself transported into a novel as the single mother (originally a supporting character) of the antagonist. The father, a famous and wealthy figure, is absent. Given her circumstances and the morally questionable nature of the original pregnancy, it makes sense that she wouldn't pursue him.

What really tugs at my heartstrings is her instant connection with the original owner's son, a three-year-old named Dudu. As an orphan in her past life, having a child she considers her "most important person" becomes a central theme. She works tirelessly to provide for them and shape him into a good person, steering him away from the villainous path he was destined for.

While there is a love interest (the baby's father), their relationship development isn't the main focus. The novel primarily revolves around the MC's career growth and adjusting to motherhood, with her son taking center stage over the male lead.

The translation for this novel is top-notch – it's a delightful, sweet read that I wholeheartedly recommend. Many thanks to the author and translator for creating such a charming story! ????
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