After Livestreaming My Farming, I Went Viral Across the Entire Galaxy
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Summary

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Lin Yi was originally an unremarkable agricultural researcher, until one day, he awoke from low-temperature hibernation to find that tens of thousands of years had passed and he had arrived in the interstellar era.

 

In this interstellar age, humanity had long since ventured out into the cosmos. Earth, the cradle of civilization, had been abandoned and reduced to a barren wasteland, desolate, littered with garbage, and overrun with ferocious alien beasts and mutated plants. While struggling to survive in this harsh environment, Lin Yi also happened to pick up a severely injured man who had lost his memory and seemed incapable of even lifting a hand.

 

To stay alive, and to save the abandoned Earth, he had no choice but to return to his old profession. He diligently cultivated the wasteland, planted crops, and worked to restore the environment, all while starting an interstellar livestream to capture people’s attention.

 

At first, people scoffed at the idea of farming on an abandoned planet: 

 

“If he can actually grow something here, I’ll twist my head off and give it to him.” 

 

“A scrawny guy like him will get torn apart by alien beasts in no time.”

 

ᘻᘿᓍᘺ

 

Yet, a few years later, people stared at the livestream in utter disbelief. Fierce alien beasts submitted to the young man’s command. Deserts and garbage had vanished, replaced by lush green fields where crops thrived. Sharp-eyed viewers recognized the plants as species from ancient Earth that had long gone extinct—each one capable of purifying mental energy. And the man who stuck possessively to Lin Yi’s side? He was none other than the legendary Federation Marshal—a war hero of immense status and prestige, long rumored to have disappeared.

 

The interstellar citizens, who had long suffered from mental energy disturbances: !!! The loyal fans of the Federation Marshal: !!!

 

#Who Knew the Down-and-Out Man I Picked Up Would Be the Federation Marshal?# #What Do I Do When the Entire Interstellar Is Fighting to Watch My Livestream?#

 

Later, the once-abandoned Earth became a premier interstellar tourist destination. Earth crops were harder to come by than gold. The gentle, refined young man was hailed as a treasure by the entire Federation. As for the famed Federation Marshal—he refused to leave the young man’s side even for a moment, guarding him like a dragon protecting its most precious treasure.

 

 

Novel Items

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Item
A cryogenic pod placed at the center of the Huaguo seed bank. Lin Yi manually activated it to enter hibernation, sealing himself inside until the apocalypse ended. It kept him in suspended animation for several thousand years.
Item
A fallen metal rod from a toppled shelf in the seed bank. Lin Yi used it to brutally shove down the throat of the mutated wolf alpha, nearly piercing through it, during his fight to protect the children.
Weapon
A dagger stored in Ye Wuyou's space. She drew it with full intention to stab Ling Yu when she felt herself weakening and lost control during their fight, but collapsed from exhaustion before she could use it.
Item
Seeds given by Zhao Xiuhua to An Ruoyan for planting in her garden behind the house. An Ruoyan planned to return them when she buys her own next time.
Item
The sole rice jar in Ah Yun's home, containing only a shallow layer of grain. It was the only food available, highlighting the family's dire poverty.
Item
A water vat in the backyard with a broken edge that Gu Shiyi decided to take. It initially did not fit in her space, so she removed her two dogs, wiped the space, and then successfully stored it.
Latest Release
DateGroupRelease
2026-08-11shanghai fantasy c11
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There's a scene in Chapter 18 that I keep coming back to, and I think it's one of the most visually striking moments in these chapters. Si Han standing on Capital Star, pulling down the brim of his baseball cap so that half his face is hidden in shadow, with only the faint glow of a streetlight illuminating his reply to Lin Yi. Capital Star — I don't know if this is a street, a shopping district, a landmark — but the name alone suggests something iconic, something that represents the heart of this entertainment world. And Si Han, the man who was supposed to be at the center of it all, is walking through it like a ghost. The contrast between the name of this place and Si Han's experience of it is devastating. This is where dreams are made and destroyed, and he's just another shadow moving through it. The author doesn't give us a lot of description, but what we get is precise. The green light. The flow of people. The cap pulled low. The streetlight's faint glow. It's cinematic in a way that makes me want to immediately watch this as a drama. You can see the framing — medium shot, slightly low angle, the city lights bokeh-ing in the background. And then there's the Star Network itself — this digital arena where the real battles are fought. The description of how Su Qing's fans operate is almost clinical in its cruelty: cherry-picking shaky footage, side-by-side comparisons with professionally shot drama scenes, coordinated tagging of Director Lu. It's not just bullying, it's a calculated campaign of distortion. The author makes it clear that in this world, truth doesn't matter — perception does. And perception is something you can manufacture if you have enough fans willing to do the work for you. The most haunting image though is probably the deleted photo. Mu Qiuqiu saving it the moment she saw it, because she knew it would be gone within minutes. The evidence exists, but only for those who are quick enough and careful enough to catch it before the fans delete it. That's the digital age in a nutshell — truth is fragile, and it dies first.
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Okay so I need to talk about Su Qing because this man is absolutely vile and I love how the text doesn't even try to make him sympathetic. The moment he posted that apology statement where he basically said 'my fans misunderstood, not my fault' is peak cowardice. He literally pushed his entire fanbase out as human shields while he washed his own hands clean. And the worst part? His fans KNEW it. They saw through it. But they were so trapped in this cycle of devotion that they could only silently take the insults and apologize back. There's this one line that absolutely destroyed me: "We are your fans, not fools for you to toy with and push out as shields." That former fan who posted the photo again with blood and tears? She wasn't just exposing Su Qing — she was mourning years of wasted devotion. And the text shows this quiet moment where one fan just stared at the screen and unfollowed. No dramatic confrontation, no final argument. Just... silence. That hit harder than any explosion would have. Meanwhile Lin Yi and Director Lu operate in this beautiful tandem of silence. They don't panic. They don't scramble. They wait. Lin Yi literally logs out of his account and goes to farm vegetables. That contrast between the online storm and the mundane reality of irrigating fields is such a powerful character statement — he doesn't need to perform for the internet because his life is real. And Su Qing's agent? "Brainless idiot." Just straight-up thinking it while brushing Su Qing off. The whole power dynamic in this story is so layered.
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I need to just sit with this one moment for a second. Lin Yi comes home starving after spending his whole afternoon healing a complete stranger, cooks himself the most perfectly described roasted rabbit in literature—golden and translucent skin, fat dripping down the knife—and then notices Ah Yun watching him with those big longing eyes and just... hands her a leg. No drama, no 'I worked hard for this,' just a quiet act of sharing. And then later when Lu Jinghan wakes up and grabs his wrist in that split-second defensive move, Lin Yi doesn't even panic. He's like 'once bitten, twice shy' and just silently grumbles to himself. But here's the thing that got me—the moment of closeness where Lin Yi is braced against the bed and their breaths are almost mingling, and he pulls away not because he's uncomfortable but because he checks on Ah Yun first. He makes sure she's still asleep before he even processes what just happened. That's such a tender detail. It shows that his first instinct isn't self-preservation or even awkwardness, it's protecting the kid. And then the candy scene again—'still warm from being against his body.' Lin Yi had the candy in his pocket the whole time and just offered it without making it a thing. Lu Jinghan drifts off to sleep for the first time in a long while because of this. A stranger's kindness, a piece of candy, and he finally rests. I'm not okay.
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The visual contrast in this section is absolutely stunning and I need to unpack it. First, there's that viral photo description — and oh my god, the imagery is so vivid. "The young man's figure was long and agile like a leopard's, his brows and eyes filled with wild, murderous intent. The heavy blood on his body and the twisted, tangled mutated plants around him only added more layers to the striking image." This is a single sentence that tells you everything about this world. Mutated plants. Blood. Survival. It's brutal and beautiful at the same time. The author doesn't need to explain the apocalypse — the image does it for you. Then immediately after, we cut to Lin Yi's kitchen. A "modest but tidy kitchen setup, with washed synthetic ingredients neatly arranged on the cutting board." Synthetic ingredients. That one word — synthetic — tells you the world is broken. Real food doesn't exist anymore. And yet Lin Yi is making crème caramel. The juxtaposition of a post-apocalyptic wasteland with someone carefully preparing a French dessert is both absurd and deeply moving. It's a statement about maintaining humanity in inhumane circumstances. The irrigation ditch moment is another worldbuilding gem. Lin Yi is carrying water from the river because there's no ditch, and he's thinking about building one so "every refugee there would benefit." This isn't just about his own survival — it's about community infrastructure. The refugees, the farmland concentration, the bet with Du Hong about wheat germination — all of these details paint a picture of a society that's trying to rebuild from scratch. People who work the land are never short of patience. That line hit me so hard. The setting of Blue Star itself feels alive. It's not just a backdrop — it's a character. The mutated plants, the mutant beasts, the synthetic food, the refugee camps — every detail reinforces the stakes of this world. And yet the most powerful image isn't the apocalypse itself. It's a gentle young man in a kitchen, waving his hand at a camera, about to make dessert while the world burns outside. That's the aesthetic of this novel, and I'm here for it.
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There's this one line that keeps echoing in my head: 'This seed bank was his greatest asset and safeguard, second only to his abilities.' A seed bank. Not weapons, not technology, not a fortress—seeds. That's the whole theme right there. Lin Yi is a remnant of ancient Blue Star, someone who survived the apocalypse, and his most valuable possession is the memory of what the world used to be. The seeds represent everything that was lost. When he takes medicinal herb seeds and grows them with his ability, he's not just making medicine—he's recreating something that humanity forgot. And the food videos he watches on the Star Network? That's the other side of the same coin. People in the interstellar era are eating nutrient fluid and watching semi-synthetic food bloggers because they've lost the connection to real food, real cooking, real craftsmanship. Lin Yi roasts a rabbit with nothing but salt and it's described like a sacred act. The compressed biscuits from the seed bank that are 'several thousand years old' but still perfectly edible because of 'low-temperature vacuum technology'—that's Professor Zhou's voice echoing from before the hibernation. It's the weight of preserved knowledge. The story keeps coming back to this idea that survival isn't just about staying alive, it's about what you carry forward. Lin Yi isn't just farming corn, he's farming memory. Every seed he plants is an act of defiance against the dead planet around him.
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Here's something I didn't expect to care about this much: a guy trying to steal vegetables and getting caught. But the author made it work, and I think it's because the stakes underneath the comedy are actually pretty real. Let's break it down. We're on Blue Star — a desolate planet with refugees, mutant beasts, and basically no infrastructure. Du Hong mentions that their own vegetable seeds were a total loss. This chubby man isn't stealing because he's malicious by nature, he's stealing because he's HUNGRY and his family's crops failed. "Those are vegetables growing in that field. Even just a few of them could sell for a good chunk of money." That line hit me harder than I expected. It's not a villain monologue, it's a desperate explanation. But then you have Lin Yi, who single-handedly killed two mutant beasts, who has wood-type abilities that make his crops grow in under two weeks while everyone else is still waiting for sprouts. The power imbalance here is ridiculous. The chubby man is basically picking a fight with a god and doesn't even realize it. The tension in that scene is masterfully built. Lin Yi pretends to leave, knowing the guy will come. He watches from the field. When he grabs the wrist, the description — "all the thief's greedy thoughts vanished on the spot. He trembled in fear, his body going limp" — you can feel the sheer terror. And then the dagger moment? That's where it goes from tense to darkly comedic. Lin Yi never intended to actually hurt him. He just needed the guy to understand the severity of what he was doing. The dagger was a prop, but the message was real: you are in over your head. What I love is that the author doesn't resolve this with violence or punishment. Lin Yi hands the guy over to his own brother. It's justice with mercy, which fits the tone of the whole story. The stakes were never really about the vegetables — they were about survival, desperation, and the thin line between right and wrong when you're starving.
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